August 12, 2001
The Sunday Times: Ecosse Cover Story
EDINBURGH FESTIVAL SPECIAL
The flying Scott
by Lynn Cochrane

A game of pool with Tom Cruise led to Hollywood stardom for Dougray Scott, but as Lynn Cochrane finds out, he's still a boy from Glenrothes at heart


photo by Paul Clements

On the irksome subject of photographs, Dougray Scott's Hollywood agent is polite but firm. Her client will require the services of a make-up artist and a selection of designer clothes must be available for the shoot. A car supplied by The Sunday Times should drive Scott to and from his home in London.
Two years ago, without so much as a dusting of face powder, Scott happily posed for us, sitting on a damp pavement holding a sign saying: "I am Dougray Scott".

Now, however, the placard is unnecessary. After starring as the evil Sean Ambrose opposite Tom Cruise in the Hollywood blockbuster Mission: Impossible II Scott can hardly walk down the street without "his people" demanding the aid of burly minders.

On Saturday, the much anticipated war thriller Enigma, in which he stars with Kate Winslet, Saffron Burrows and Jeremy Northam, premieres at the Edinburgh International Flim Festival.

Mick Jagger, the co-producer, says: "When we cast him, we felt he was on the edge of enormous fame."

Perhaps praise from such quarters has gone straight to Scott's head. I arrive for our meeting in London's Bloomsbury Street to discover the actor is fashionably late. Half an hour has gone by and the 35-year-old is yet to appear.

When he does turn up, the photographer and I are told there will be a further delay while Scott is interviewed over the telephone by a journalist in Australia. Can we speak to him after that? No, Scott will then need his lunch. His Hollywood agent has already requested a curry complete with nan bread and poppadoms. You can take the boy out of Glenrothes . . .

I am warned against posing obvious questions. "Someone asked him what it was like working with Kate Winslet," says the film's British publicist, rolling her eyes in despair. "I could tell the interview wasn't going well."

I grow increasingly convinced I will loathe this man. Immediately on meeting him, however, I have to question my prejudices. It appears it is those who manage his career, not the star himself, who are behind the prima donna demands.

In person there is a refreshing, if surprising, self-deprecating wit about Scott, coupled with a polite curiosity about other people. He teases the make-up artist about getting his foppish, wavy locks "just right" and interrogates the photographer about his children.

"It's true, I am obsessed with other people's lives," he says, in a voice that has lost nothing of its Fife gruffness. "It's not that I find my own vacuous, I'm just very curious."

His curiosity extends to not just immersing himself in a film role but wallowing in it.

In Enigma, a Tom Stoppard adaptation of Robert Harris's bestseller, Scott plays Tom Jericho, a young Cambridge boffin sent to the secret wartime code-breaking centre of Bletchley Park. This handsome film, directed by Michael Apted, is an old-fashioned British thriller that takes the audience to the edge of their seats.

Scott learnt how to operate the Enigma machine for the role. For five months he travelled to the Bletchley Park Museum, between Oxford and Cambridge, where he would be put in a room and given codes to break.

"I found the numbers very intriguing," says Scott. "My character finds a beauty in them and I came to see that. It was really a key to understanding him."

Jericho, says Scott, is unlike anybody he has played before. "He's cerebral, a genius, and I needed to get inside his head and discover what makes him tick."

When the film starts, Jericho has suffered a nervous breakdown caused by exhaustion and unrequited love. To achieve the tortured hero look, Scott lost more than two stones of the muscle he had pumped up for Mission: Impossible II. I almost expect him to tell me he shed the weight on wartime weekly rations of powdered egg and a quarter of margarine. "No, I just went on a huge diet and did some running," he laughs.

Despite the calorie-laden curry, Scott has yet to pile the pounds back on. His slightness approaches gauntness, but with his skin tanned, and smoothed to perfection by a discreet dollop of foundation, it is easy to see why the tabloids call him a "hunk". It is a term he loathes.

"It's not that I'm uncomfortable about my looks, it's that they are immaterial to me," he insists, a protestation that is hard to take seriously with a make-up artist looming, ever ready to banish blemishes.

The truth is his set of well-arranged features have opened doors for Scott, and his agent at least knows a bankable image when she sees one.

In 1998 he beat Matt Damon to star as Prince Henry in Ever After, alongside Drew Barrymore.

"I was surprised to be offered Ever After," says Scott, better known for playing villains.  "A lot of people said I couldn't do it but I've always wanted to challenge myself. I always take risks. I never want to be stuck in a rut or play the same people. So if somebody says I can't do something, then I'll do it. I want to try, even if I think I might fail."

When Scott admits he has delivered a disappointing performance, it's a safe bet he is referring to his first big break, the dreadful Another 9 1/2  Weeks, in which he starred alongside Mickey Rourke. This was followed by a much edited appearance as Tea Leoni's love interest in the sci-fi blockbuster Deep Impact.

His route to Hollywood, while not always successful, has been seemingly effortless. After working in television, he landed the role of a corrupt, cocaine-snorting policeman in the film Twin Town. In the UK the film was slow to take off, but in America it earned cult status and brought Scott to the attention of Cruise, who invited Scott to his home for a game of pool. Scott won the game and his biggest part to date.

Mission: Impossible II is a virtual two-hander between Cruise and Scott. "I wasn't really expecting that," says Scott, "But it was a fantastic experience working with Tom.

"He has the most incredible focus. I've never come across anything like it before. His catchphrase is 'whatever it takes'. I adore him."

Scott knew from the age of 14 he wanted to act. Who encouraged him? "Nobody. Nobody in Glenrothes acts. My careers teacher laughed out loud when I told him what I wanted to do. He suggested that I go to the docks and be a fitter." The inspiration to dress up, to become somebody else, came from his salesman father. Every day Scott would watch as his father transformed himself into the kind of rep who could sell freezers to Eskimos.

"The clothes were incredibly important, it was like putting on a costume. Then there would be the combing of the hair, the putting on the hat, the smile in the mirror. He could walk into a shop, suppress everything he was feeling, and come out with this wonderful sales pitch."

The family moved to Glenrothes from Glasgow before Scott was born because his father wanted to give them a better life. But it was a tough existence for Scott, his older brother and two sisters. The family lived on the edge of a grim council estate. As the youngest, Scott spent a lot of time on his own.

Football was his passion and remains so. A season ticket-holder at Easter Road, he is back in Scotland this week to cheer on Hibs. It was probably on a journey to a game that he told his father he wanted to be an actor. Scott was 17. He found, to his surprise, that his father had also acted, in Glasgow's Clyde Unity Theatre after the war.

With the encouragement of his parents, he ignored the advice of his careers teacher and secured a place on a drama course at Kirkcaldy College. From there, he went to the Welsh College of Music and Drama, where he won the award for most promising student.

He is known as a somewhat reluctant celebrity. Interviews are given rarely and he prefers to be judged on his roles rather than his personal life.

Scott lives in London with his wife, Sarah Trevis, a casting director, and their twins, a boy and a girl aged three, Gabriel and Eden. Getting fan mail and being asked for autographs take getting used to.

"I don't feel as though just because I am in films I am better than anyone else," he says defensively. "When I walk to Tesco with my shorts on and my hair all lanky I don't know if people are staring at me, because I'm too busy thinking about shopping with the kids."

He might not feel like a star but he gets the star treatment in Hollywood. When he stays at the famous Four Seasons Hotel, his "people" insist on sending a stretch limousine, even if he is heading just a few blocks away. "It's embarrassing, I ask them can they not just send a Lincoln or something" he says, without a trace of irony.

In his next film, Ripley's Game, released in Britain next year, he stars alongside John Malkovich as a picture framer suffering from leukemia who is inveigled into committing a murder.

To prepare for the role he spent months under the guidance of a master craftsman in London learning how to frame paintings. He also spoke to experts on the disease as well as sufferers. One woman from Scotland, who he will not name, changed his life, he insists.

"I'm a bit sensitive about talking about her," he adds, hesitantly. "She opened her heart to me about her illness and I really want to be positive about leukemia. I have every confidence that she will get better.

"She taught me a great lesson in life. To appreciate things." And does he? "Well I think so. I remember my father too telling me to be happy and I certainly try to be."

To lighten the mood, I ask what it was like working with Malkovich. Thankfully he is happy to answer, saying he is a great admirer of the actor. They bonded off-screen as well as on.

"I couldn't even begin to tell you the type of conversations we had. It was a real laugh," he says.

Malkovich, Robert De Niro and Al Pacino are all heroes of Scott's, along with his all-time favourite actor, the late Alec Guinness. He says the key to understanding Guinness's greatness is versatility, a quality often used to describe Scott.

It is a trait he will draw on again soon. He has just agreed to play Dylan Thomas in a biopic, again be produced by Jagger. Scott declares the script about the poet and legendary carouser to be one of the best he has read.

I cannot help but feel sorry for the make-up artist required to transform Scott's handsome features into those of the bloated alcoholic genius. Given Scott's obsession with character, I also fear for the actor's liver.

Enigma will be shown at Edinburgh's Odeon cinema on Saturday, August 18, at 6pm, and at the UGC on Sunday, August 19, at 1pm. It will be released nationwide on September 28

Copyright 2001 Times Newspapers Ltd