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December 27, 2001
The
Times
Civil War re-enacted for viewers
by Adam Sherwin, Media Reporter
AFTER the bodice-ripping
dramas of Elizabeth I, the bloody battles of the Civil
War will dominate cinema and television screens next
year as audiences for popular history continue to
increase.
Rupert Everett will
play Charles I, vanquished by Tim Roth’s Cromwell in a
£15 million British film. On BBC2, a Civil War series
will begin next month, presented by Tristram Hunt, 27,
who promises to bring the gory drama of the battle of
Marston Moor, the Irish Rebellion and the execution of
Charles I into the nation’s living rooms.
History has become a
“sexy” subject for filmmakers, with Professor David
Starkey’s Channel 4 series on Elizabeth I and Henry
VIII attracting more viewers than the hit comedy Friends.
The 1998 film Elizabeth,
about the monarch’s early years and starring Cate
Blanchett, took £50 million at the box office. The
Civil War also proved one of the most popular sections
of Simon Schama’s BBC series The History of Britain,
and Natural Nylon, the film company backed by Jude Law
and Ewan McGregor, believes that the revolutionary
events contain all the elements of a box-office hit.
Cromwell and
Fairfax, which begins shooting at Hampton Court
Palace next month with Mike Barker as director, focuses
on the King’s final days and the struggle to build a
new state in place of the defeated monarchy.
Dougray Scott plays
Thomas Fairfax, the general of the parliamentary armies,
whose victories at Marston Moor in 1644 and Naseby the
year after brought the war to an end.
Although the battles
of the 1640s cost a quarter of a million lives, feature
film producers have shied away from the subject. No
big-screen attempt has been made since 1970 when Richard
Harris played Cromwell and Alec Guinness played Charles
in the ill-fated Cromwell.
Kevin Loader, the new
film’s producer, said: “I am often shocked how
little people know about this fascinating period. Tim
Roth will play a very contemporary, edgy Cromwell, and
with Rupert Everett and Dougray Scott we have the best
British talent to bring this period to a new
audience.”
The script, by Jennie
Mayhew, will focus on Charles’s trial for treason and
the psychological struggle between Cromwell and Fairfax,
friends on the battlefield who are driven apart by the
demands of building a new English state.
Everett’s Charles
will be a dignified figure who clings to his belief in
the “divine right” of kings to his execution.
Cromwell is presented as an “iron-willed military
genius”.
Mr Loader said: “The
film raises a question very topical in Afghanistan —
after the civil war, how can a new government be formed
to unite a nation?” Dr Hunt’s series aims to explode
the myth of an “English” civil war. He presents a
conflict, provoked by religious disputes rather than
taxation, that spread through England, Scotland and
Ireland, the resonances of which can still be heard.
“I go to Portadown
during the Orange Order marches and explain their roots
in the events of the 1640s,” Dr Hunt said. “We will
be re-creating famous battles, but the basic issues are
as relevant today — the role of the monarchy and how
to govern the kingdoms of England, Scotland and Ireland
as a united entity.”
Sex inevitably plays a
major role in popular history and Dr Hunt has a
ready-made femme fatale in Henrietta Maria, wife of
Charles I. He said: “Her Roman Catholic faith made her
an object of suspicion in England and this contributed
to the rebellion.”
Dr Hunt is being
marketed by the BBC as “the naked historian”. He has
engineered a spat with Dr Starkey, unfavourably
comparing the other’s approach to history to that of a
“gossip columnist”.
If popular history
contains many elements of soap opera, its public faces
are learning to adopt the same marketing techniques in
the battle to attract viewers.
Copyright 2001 Times
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