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September 7, 2000
This
is London
Back on Stage
by Dougray Scott
I've read a lot of film scripts
recently and some were good, but none were like To
The Green Fields Beyond. It's entirely different -
playwright Nick Whitby has a fresh voice.
The play tells of eight men in the
tank corps in 1918 during one evening before
battle - and their lies and prejudices. It opens
up a debate about what the First World War was
about and what it meant to the people involved -
the writing is extraordinary.
My last play, the Hampstead
Theatre's Unidentified Human Remains And The True
Nature Of Love by the Canadian writer Brad Fraser,
was seven years ago, so this was very, very
unexpected. But Sam Mendes called and said he
wanted to do this play - we met and I immediately
thought:"I'd love to work with this
person." As a director, he's meticulous and
inspiring - he makes you feel as if you're the
only person who could do the part.
This is entirely different from a
film like Mission: Impossible 2. It's very
collaborative, egalitarian in the way my
character, a Scottish officer called Child, would
love the world to be. We had five-and-a-half weeks
to get the play ready, whereas in a movie you have
three months to do one scene right.
I told Sam I was nervous about
going back on stage, but Sam said: "It's like
a movie, this play." It's been nerve-racking,
but at the end of the day I'm having a ball.
Now Playing
Donmar
Warehouse From Sep 14, Mon-Sat 7.30pm, (Sep
25, 7pm), mats Thu & Sat, 3pm, booking to Nov
25 £14-£24
© Associated Newspapers Ltd., 07
September 2000 |